The Inspirational Journey and Tragic Loss of Michaela DePrince: Trailblazing Ballerina and Advocate for Diversity

The Inspirational Journey and Tragic Loss of Michaela DePrince: Trailblazing Ballerina and Advocate for Diversity


September 14, 2024
By M Muzamil Shami


Michaela DePrince performing ballet, a symbol of grace and diversity, tragically passed away at age 29.


The world of ballet is mourning the loss of Michaela Mabinty DePrince, a trailblazer and advocate for diversity in the arts. Michaela, who passed away at the age of 29, touched the lives of many with her inspiring story of resilience, grace, and determination. Her untimely death has left a void in the ballet community, where she not only showcased her immense talent but also passionately worked toward increasing the representation of Black and brown dancers.

Early Life and Struggles in Sierra Leone

Born Mabinty Bangura in Sierra Leone, DePrince's life began in turmoil. At just three years old, she lost both her parents during the country’s brutal civil war. Her father was killed by rebels, and her mother succumbed to starvation. Sent to live in an orphanage, DePrince faced mistreatment and neglect due to her vitiligo, a skin condition that caused patches of lighter skin. At the orphanage, she was cruelly labeled as "the devil’s child" and given the lowest rank among the children, receiving the least food and care.

Despite these challenges, a life-changing moment occurred when DePrince discovered a torn magazine cover featuring a ballerina. That image sparked a dream in her, one that would carry her across continents and into the world of professional ballet.

Adoption and Path to Ballet Stardom

In 1999, DePrince was adopted by an American family from New Jersey, along with her close friend Mia, who would become her adoptive sister. The love and support of her new family helped DePrince pursue her passion for ballet. At just five years old, she began formal ballet training, overcoming both personal and systemic challenges that stood in her way.

Though DePrince faced racial prejudice throughout her journey, including being told the world "wasn’t ready for a Black ballerina," she refused to give up. Her breakthrough came when she was featured in the 2011 documentary First Position, which followed her and other dancers as they prepared for the Youth America Grand Prix. At 13, she earned a full scholarship to the American Ballet Theater’s summer program, marking the beginning of her professional ascent.

Breaking Barriers and Making History

DePrince’s career reached new heights when she became the youngest principal dancer at the Dance Theatre of Harlem. She later joined the Dutch National Ballet and in 2021, she made history by becoming a second soloist with the prestigious Boston Ballet. Her performances captivated audiences worldwide, and she became a powerful symbol of resilience and representation in an industry that has traditionally lacked diversity.

In addition to her work on stage, DePrince’s commitment to humanitarian causes was just as profound. She became an ambassador for War Child Holland, a charity focused on helping children affected by war. Her mission extended beyond dance, as she consistently advocated for the mental and emotional well-being of children in war zones, including those in her home country of Sierra Leone.

Advocating for Diversity in Ballet

DePrince’s dedication to diversity in ballet was a cornerstone of her career. She often spoke out about the lack of representation of Black and brown dancers in the art form. “Spreading more poppies in a field of daffodils” was how she poetically described her passion for seeing more dancers of color on stage. Despite facing racism and xenophobia throughout her career, she remained undeterred.

Reflecting on her influences, DePrince cited trailblazers like Lauren Anderson and Misty Copeland, who paved the way for dancers of color. “There’s not a lot of us,” she said in a 2021 interview. “But my passion is to see more Black and brown dancers in ballet.”

Her impact extended far beyond the stage, with many aspiring dancers looking up to her as a beacon of hope. She showed that despite the obstacles, it is possible to break through barriers and achieve greatness.

Tragic Passing and Legacy

DePrince’s passing at the young age of 29 has left the ballet community and her admirers across the globe in shock. While the cause of her death has not yet been disclosed, the outpouring of tributes speaks volumes about the lives she touched. Her sister Mia DePrince expressed her deep sadness in a heartfelt statement, recalling their early days in the orphanage and their shared dream of creating their own ballets. “Michaela was an inspiration,” Mia wrote, reflecting on the incredible journey they had taken together.

Boston Ballet Executive Director Ming Min Hui also paid tribute, saying, “Michaela was an advocate for what ballet can be, as a much bigger art form and source of inspiration.” DePrince’s warmth and positivity left a lasting impression on everyone she encountered, from her colleagues to her audience members.

Remembering Michaela DePrince: A Life of Strength, Purpose, and Advocacy

Michaela DePrince’s life was one marked by incredible strength, purpose, and a deep commitment to her art and humanitarian work. She defied the odds at every turn, transforming a life marked by loss and hardship into one filled with hope, beauty, and greatness. Her journey from war-torn Sierra Leone to the world’s most prestigious ballet stages is a testament to her resilience and determination.

In lieu of flowers, DePrince’s family has asked for donations to War Child, an organization close to her heart. “This work meant the world to her,” her family said in a statement, emphasizing her commitment to helping children who, like her, have experienced the horrors of war.

As the ballet community and the world at large mourn her loss, Michaela DePrince’s legacy will continue to inspire generations of dancers and artists. Her life serves as a reminder that beauty and greatness can indeed rise from the darkest places.


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